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  1. marc3llo

    Laser Point ll ablative film on Esko CDI

    Hi all, Today I tried this product in an Esko CDI and it didn't come up as expected... some areas are not fully clear, also one can see some "dirtiness" in gradients, etc. Do you know the exact settings to use with this film? Specially I'd like to know the intensity of the laser which I think...
  2. marc3llo

    Color IQC or Color Quality v6

    Hello, I am trying to find online the difference between these two softwares but I can't get anything clear so far. The main difference seems to be that color quality is also use in the ink room? But not necessarily it seems. A rep from X-Rite offered me color quality v6 to check the spot...
  3. marc3llo

    Spectroeye vs eyeone pro

    Hello everybody, I have a problem with measuring pantone colours. I have a customer who is measuring delta E (against the pantone digital library) with a spectroeye xrga and I am trying to read the same colours with the eyeone. Is there any chance that we'll succeeded? I have the eyeone...
  4. marc3llo

    Converting to icc 'screen' profile

    Hi all, I have some images that are going to be printed on a flexo press. The flexo press was fingerprinted and a proofing profile was created and a ICC Photoshop profile was exported to share with third-parties. Now these images I have look terrible when printed with this profile on the...
  5. marc3llo

    Measuring a flexo plate with Spectroeye

    Hi all, At work we have an old Spectroeye (but it seems to be working alright) that is able to measure flexo printing plate dots. I tried to follow the manual but the only thing that says is that I should be using the Yule formula rather than Murray-Davies.. and that's all. it doesn't explain...
  6. marc3llo

    warp file for a conical tub with the esko warp tool in packedge

    Hi all, I have a problem trying to make a warp file to print in a conical tub. I have the warped die line and roughly I worked out the flat one. (but may be is not done properly and that is also part of the problem). Now with the esko warp tool in esko I warp it (I use external and then...
  7. marc3llo

    backsaving Illy files while you are working

    Hi all, I have to work in Illustrator CS3 (the worst version ever) because my company does it but I'd be very happy if I could work in CS4 and backsaving to Illustrator PDF CS3 everytime I save (not saving as...) Do you know if there is a way to achieve this? I know some script might do it but...
  8. marc3llo

    matching a profile

    Hi, I have a standard FOGRA 39 profile and I have to match it with a profile they use as a proof for a flexo press. What is the best way to achieve it? Once I heard the term "link profile" does it has something to do with this? Or better to run a proof with the profile to match and then read...
  9. marc3llo

    assign vs convert

    Hi, I just posted this thread into the Esko category, but then I thought this is the right place to post it. Thanks Hi, I have a question regarding assigning and converting profiles. I know that assign is just for the monitor whereas convert actually changes the profile and hence, the numbers...
  10. marc3llo

    assign vs. convert

    put the thread under colour management
  11. marc3llo

    Hybrid proofing, Is it possible?

    Hi, I wanted to know if someone has experience with hybrid proofing. We are using GMG and they told us that they don't support it (only FM or AM) and I was wondering if you are using another system that supports both AM and FM in the same proof. Thanks, Marcelo
  12. marc3llo

    where are repro houses going?

    Hi all, I know that sooner than later everything will be digital but in the meantime there are companies which offers "repro" and finished artist services.. saying that their files are "print ready"... So, if these companies offer finished artist + trapping via deskpack, what do we do at the...
  13. marc3llo

    Esko pre press operator in Australia

    Hi, I am a Esko pre press operator (Packedge, Plato, Backstage, Flexoperfection). I've been working in the field for the last 7 years. I have solid experience in color separation for flexo (determining whether you need CMYK or Spot Colors, different LPI in the same job, etc). I also do photo...
  14. marc3llo

    Bump Up curve in Soft Proofing/Illustrator

    Hi, I was wondering how to make an ICC profile in "custom CMYK" (Photoshop) that acts as a bump up curve in Illustrator. The idea is to make a profile (I dont have any soft, just photoshop) and then in soft proofing in Illustrator, go to view, customize and then choose my new profile.. and be...
  15. marc3llo

    ESKO @Melbourne, AUZ

    Hi, someone here is currently working with Esko in Melbourne, Australia? I am going to be there in two weeks and I would like to contact some people from this field. Thanks a lot! Marcelo
  16. marc3llo

    Dot Gain in Photoshop

    Hi to everyone, I am not new at the forum but this is my first time posting something. I am confused with dot gain in Photoshop. And the question is, if I am converting my image from one profile to another or rgb to cmyk, Do I have to compensate the image with the dot gain % in Photoshop? What...
  17. marc3llo

    Samba Flex

    hello everyone! Does anyone have experience working with samba flex? we sent to the RIP some work and the minimun dot was 25 pixels.. just the same as samba (the older one).. Esko gave us 3 differents parameters to set up this screen in packedge CS25 CS36 CS45 where the numbers mean the...

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