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On the Mac, in User > Library > Preferences > Enfocus Prefs Folder > Action Lists as in the attached screenshot: Stephen Marsh

Screenshots attached

In Photoshop you could make a legacy custom CMYK 15% Max GCR CMYK working space colour setting, then save it to a profile for use in Illustrator… This should get you +/- 1% to the 15% dot gain value on various tones. Stephen Marsh

I have been in contact with HYBRID Software support, it appears that the software is perpetually licensed (once activated) – it is just the software version that is time limited and will require updating upon expiry. Stephen Marsh

I just checked after activating and you are right. Of course, they never mentioned a limited free demo, it will be interesting to see what happens near/on license expiry, as they have my contact details I’m sure that I’ll be hearing from sales. Stephen Marsh

HYBRID software are offering a free stripped down “viewer” version of their PACKZ native PDF editor. Get your activation code for free at the following link: http://www.view.packz.eu http://www.viewdownload.packz.com Stephen Marsh

You are right, I did not even see the screenshots of the apps… Thanks! Stephen Marsh

Just curious if anybody knows more about this company and products, either general knowledge, first hand use etc. Are they the OEM, or do they rebadge other software (EFI, CGS, GMG), rebrand other media etc? http://www.cmaimaging.com/en/home-1.htm...

What sort of modifications? PitStop Server is very capable of modifying files (adding, removing, changing elements). Stephen Marsh

OpenConnectivity is basically a “stand alone RIP”, the default “direct connectivity” relies on Prinergy to do most of the work (RIPing, colour management, file submission). If you are licensed for OpenConnectivity and it is running correctly, then you can copy files through the Finder (or...

The Accura MIS fits these requirements – one solution, it is print method agnostic (litho, flexo, digital, screen, inkjet roll or flatbed etc) – self hosted or cloud, your choice. Of course “reasonable price” is a relative term. http://accuramis.com Stephen Marsh

https://help.adobe.com/en_US/creativesuite/cs/using/WS6A727430-9717-42df-B578-C0AC705C54F0.html https://help.adobe.com/en_US/creativesuite/cs/using/WS37C6D4EA-9407-4954-9A03-92735E070188.html Stephen Marsh

Sure, here you go: https://www.dropbox.com/s/gwcpw4un1n...200_C.zip?dl=0 The steps are “Select Color Range” and “Remap Color” (PitStop Pro 2017, however I believe that these commands have been around for a few versions). Stephen Marsh

Sure, something like this will map only a specific tint range and not the solid… (I only tested with vectors, not gradients or images). Stephen Marsh

Easy enough to create an EAL, however it would depend on the position and content. Do you have a sample PDF? Does this info vary from different software or clients? What version of PitStop Pro are you using? Stephen Marsh

I would have thought that one of these guys would have been able to help: http://www.cgsusa.com/authorized-resellers/ Stephen Marsh

Which should be possible to pickup in preflight – whether built into InDesign, or built into Acrobat Pro or with a third party PDF tool such as Enfocus PitStop Pro or Server. Stephen Marsh

http://www.cgsusa.com/oris-professional-proofing-papers/ http://www.cgs-oris.com/en/about-cgs/press-releases/item/114-cgs-releases-gracol-2013-compliant-proofing-paper/...

I obviously read the ECI press release differently then. Presuming that the RIP is configured this way, many RIPs are setup to ignore the OI and to assume a given input condition such as F39. I am not yet drinking the cool-aid. :] Stephen Marsh

Although this is not about PDF-X standards, it is similar to saying that PDF/X-4 is dead, long live PDF/X-1 :] Stephen Marsh