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Least I'm not alone...

This is more of a rant than anything. Unfortunately, I just found out the hard (and expensive) way that Quark 8's Press Quality PDF export setting uses JPG Low Quality Compression by default. Way to go, Quark.

Finally resolved this issue. Seems it has to do with the Color Libraries. The Photoshop file was created in CS6 and placed in InDesign CS4. Originally the Spot color was spec'd from the Pantone + color library (which I have in both CS4 and CS6). I then spec'd the color from the Pantone library...

Thanks, Rich. I ran your profile and, unfortunately, I get the same results that I get with mine existing profile. It flags every crop mark, and every us of 0/0/0/100 text. See screen-shot. I can't seem to find a way for the profile to ignore these elements and focus on art objects, instead.

Yes, I mean grayscale. And, yes, I would just like it do detect, not fix. I would run this on our 1/c fiction interiors, which sometimes have Photoshop and Illustrator links. Seems pretty simple, right? I've tried so many things, all with 0% success. I'll give the 1 sep a try. Thanks.

I did try with a new PS and ID file, same results. The "Internal Error" is something I had never seen before. Perhaps my ID prefs are bunk. I'll keep playing, but at least now I know it is possible in CS4. Thanks.

I have been unable to create a preflight profile, in Acrobat, that flags 4/c art (Raster or Vector). All my attempts end up flagging every page's registration marks and all text that was set to 0/0/0/100. Any suggestions?

I have a CMYK Photoshop file with a Spot Channel. I've saved it as a TIF (with Spot Colors checked), and I've saved it as a PSD (with Spot Colors checked). When I import the TIF, in InDesign CS4, the spot channel elements are missing. Why I try to place the PSD I get an "Internal Error". I can...

In Flash CS4 you had the option of Exporting a frame to Illustrator. That option is gone from Flash CS6. Anyone know why, or what the workaround is? The Illustrator option looks to have been replaced by FXG. It worked so well, why remove it! Thanks in advance.

Just upgraded. Anyone else finding PS CS6 to be really slow/sluggish? Saves, and toggling layers On/Off takes noticeably longer than in previous versions. Running iMac 2.66ghz, 4gb RAM, Snow Leopard.

I could, but to supply an email friendly TextPlate PDF, versus FTPing a non email friendly composite PDF, is so much easier. Also, it's not the K sep, granted the print vendor may map our spot plate "TextPlate", which is 100k, to Process Black, but for co-edition purposes we need our text to be...

Thanks for the feedback. I understand there are workarounds to my issue, I'm more curious to why InDesign has never had this functionality. Again, just surprised Quark has a feature that I prefer over InDesign (granted, it's the only one).

I know this topic has been discussed before, and I was hopeful CS6 might have included the ability to export separations to PDF. Quark 8 does it nicely, why can't InDesign? The reason I need it: When handling book reprints, I need to supply the printer TextPlate PDFs only - not composite. With...

I'm looking to fill our soon to be vacant Graphic Production Assistant role. Herewith the job description. Please PM me if interested. Bookbuilders of Boston | Jobs | Postings

Thanks for all the feedback. I'm not actually the printer, I work for the publisher and, in this case, I am merely passing the file along. The artwork is retro comic style with solid shapes and fills. I've talked with the printer and they state they will use a Dense Black Ink with a double hit.

I'm working with an illustrator who is asking that their poster art be printed with 4 Pantone Goe inks along with a "dense black". Is Dense Black or High Density Black an actual ink used or is it just process black run at a higher density or perhaps a double-hit. Thanks in advance.

Thanks, Gordo. That was a very nice article you put together. Really well thought out.

Hi. I've always worked by the age-old rule of 2x the line-screen. So if printing with a 150lpi the optimal resolution of your artwork should be 300dpi, and if printing with a 175lpi the optimal resolution of your artwork should be 350dpi. The majority of our scanning and printing is handled in...

Ah-Ha! Forgot about that series. Thanks!

I received a PDF today that makes use of Pantone swatches that I do not recognize. At first I thought they were Pantone Process swatches, but they don't match my fan book, and I have never seen anything with 3 number sections. I've attached a screen-grab. Anyone?