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  1. danremaley

    Gcr for pdf

    Here is a great example of GCR - open these images in Photoshop and look at each color side by side. . .
  2. danremaley

    Colour standards and correction for offset

    Email me and I’ll send you a copy of the best book I know for color reproduction. ‘Color Control in Lithography’ danremaley@comcast.net
  3. danremaley

    Gcr for pdf

    Here’s my nickels worth- GCR affects all tri-chromatic colors (Y-M-C). The ‘graying’ component of a color is reduced and replaced with black. I.e. “reds” graying component is Cyan. Blues graying component is Mag. GCR - “pushes” the tone scale to be more saturated or less saturated in the...
  4. danremaley

    Ladder Bars User Guide

    Attached is the User Guide for Ladder Bars that will truly show press problems. Call with any questions 412.889.7643 or danremaley@comcast.net
  5. danremaley

    Gray Balance consistency run

    Printing 50/49/40 is impossible! These values are at or near the midtone area - where the midtone dot gain changes under the best conditions (+/- 2%} is the standard deviation of a good press! So as long as these gains climb together- you get a ‘darker’ grey - when one goes up or down relative...
  6. danremaley

    G 7 certification

    “If you imaged plates from linear film and printed using ISO conforming ink hues to the specified densities then you would automatically achieve grey balance. Great” No such luck! The dot gains make grey balance (at density). The proofs were Matchprint SWOP. At density the midtone gain was...
  7. danremaley

    North American Print Survey '70's

    NorthAmericanPrintSurvey-
  8. danremaley

    North American Print Survey '70's

    Interesting survey -
  9. danremaley

    Press Testing-

    What are the specifications for a printing press? Here's a guide-
  10. danremaley

    System Brunner - Grey Balance

    Here are some good articles by Felix Brunner-
  11. danremaley

    G 7 certification

    So here’s a little ‘history’ of color reproduction. In the ‘old days’ we had ‘trade houses’ which produced color separations for the printers. I was one of those - so how did we know how to make the separation’s? We made them all to SWOP - (Specifications for Web Offset Publications) - based on...
  12. danremaley

    printing certification

    . . .a great story-I did some consulting for a company (Branch Smith) in Texas. They won the prestigious Malcolm Baldridge Award - I believe the ONLY printing company to do so. While there I found several issues, a big one was the press was ‘doubling’ in the Magenta Unit - I called and asked...
  13. danremaley

    What is your standard of registration tolerance between C-M-Y-K?

    Here are some GATF specs for the Press-
  14. danremaley

    Disappearing dot gains?

    I’m thinking something in the RiP got corrupted. . . Maybe reset it & re-liberalize. Press ALWAYS gain - seldom sharpen. I have the RiP “wanted” numbers if that helps. Dan 412.889.7643
  15. danremaley

    Grey Balance at Press

    I have instructions on how to achieve Grey Balance at press. This will work for single, 2-color, & 4-color presses. It's designed for people who can't afford, or don't have the tools necessary, for G7 or other methods. I have density numbers for Coated and Uncoated as well as the "wanted" RIP...
  16. danremaley

    Xitron Navigator - Harlequin RIP - Using Curves Software to get to G7

    Call me & refresh my memory on the RIP. I remember using the tone scale settings. Dan 412.889.7643
  17. danremaley

    Felix Brunner Items-

    Here's an item I wrote several years ago and the responses. The standard deviation of a press is + or - 2%. That 4% variance in any particular color will show a cast but if you keep the colors in 'balance' the 4% variance becomes only a 'light' or 'dark' variance - this difference we can live...
  18. danremaley

    Felix Brunner Items-

    Sorry, I don't have that Brunner book. Contact me off line I have one that's better!
  19. danremaley

    Felix Brunner Items-

    I have attached several articles by Felix Brunner, they are valuable to anyone trying to understand Color Lithography. You can contact me with any questions 412.889.7643 Dan.
  20. danremaley

    Intended Press Curve - Gracol

    Send me an email and I’ll send you the “wanted” dot area numbers! Danremaley@comcast.net

Canon Research

Canon
Advancing Productivity and Service Delivery
Enhancing the Print Customer Connection (Part 4)

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