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We get files in from a variety of clients, anywhere from high-end fashion and architecture done in InDesign to church newsletters done in MS Publisher. Of course our clients want the best possible output and we want to make them happy. I've been reading about screen and printer calibrating and...

This wasn't done to an intern... One coworker forged a memo from the boss and put it on another coworker's desk. Told him to inventory all rubber bands and categorize them by size ASAP. He assumed the guy would realize it was a joke. Went back a while later to find him cursing and...

We're not fixing it... It's a new and improved upgrade.

Don't count on binding inline to keep the sort order. We had a booklet job of a couple of thousand records. We proofed it ok. We merged the data into the document and got one big PDF to print from. Something went wrong in the imposition settings, (I'm guessing), and and pages from one record...

You can be sure, they'll know they failed. I had some tough teachers. One would tell us, "If it's too hard, you can always become a cab driver. I can't ever find a cab when I need one. This city needs more cab drivers." Another would say, "You think this is hard? This is Disney land. Wait till...

I want to start teaching a prepress course at one of the local design schools. If it's not print-ready, it gets an "F."

We get art files in from dozens of people. I'm sure none of them are using the same settings for color managment. Is there a procedure you put files through to get them in line with your preferences? If so, does it change the file significantly so that it no longer looks like what your client...