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More like the voltage on the BTR. Humidity affects static and its ability to pull toner onto the sheet or IBT.

When I looked at the Ricoh samples I was unimpressed. It was not better then our V3100 quality wise, banding etc. On the other hand I did not have the ability to see what the drums 2nd BTR etc. part usage was or try different screens etc. Xerox made me a great offer on the Iridesse with FS-400...

I hate to see this is still going on and by the sounds of it, it has only gotten worse. This is the main reason I dumped our 3100. I was constantly having to change drums and developer housing were just about as bad. The Iridesse is night and day difference and if the volume stays up is less...

Is there anyone out there using the end mark detection? I have it set up the way the manual describes but it won’t read it. Anyone have an example of the end mark they could post.

Sappi, better quality than Blazer but I might have to find a new source for the 130# cover.

I did get some actual prints from the C83hc on some of my files a couple of months ago. Yes gamut wise it was impressive but I don't know what the CM settings were nor was I able to calibrate and profile my stock so it is possible it could have been better. Down side was it was only rated at...

Try taping some uncoated stock somewhere in the paper path that won't be seen by a sensor. Look to see if you can find a spot in the duplexing path.

There is software out there to easily convert them to Opentype or TrueType.

No you can't, only one side at a time. Not sure if the 4100 can but the Iridesse can.

It more like will USPS work with you. Around they are a real problem even getting them to pickup when the they don't feel like doing it.

Figured it out. On the Iridesse if the fuser temperature adjustment is set to something other than 0 it will force the fuser to go to that temperature which results in the delay with mixed media.

I know all that as we ran Versants before so I am wonder about what others running the Iridesse are finding going from heavy main to light mixed.

It appears to me if main jobs is lighter weight paper and mixed cover is heavier stock that printing will have no pauses if the mixed media settings are correct. For me this works fine with no pauses. BUT, if main stock is heavy stock 216gsm and a insert like a 90gsm order blank in a calendar...

Saw some proof off the C83HC. I was surprised at the smoothness and lack of banding. The high gamut I was expecting and might be a good fit for our calendar production. Just how is Minolta on color consistency, registration and durability these days?

Then you really don't have the tools to do what you want to do.

Why are you not making your own profile. That way everything can be done after making sure your machine is setup correctly in regards to drum quality and uniform density. Only then start the Calibration G7 process and then proceed to the profile making on the specific paper you want to use. And...

Is anybody out there running the Konica Minolta’s C83hc? I have seen proofs and for what I do the high Chroma would be great but I would like to ask some questions about the durability of it or like build of KM machines.

Check this out. Error Code versant 80 error 099-341 Fusing Not Latch Up Also check that the belt is not run off to far to the side. If so run it back towards the middle. This happens on the 2100 and 3100 occasionally but I can't remember the error code.

Have the MOB sensors been cleaned? Those are the ones under the left side of the drum developer housing drawer.

I know you can access it over the network, but it must be run in Windows. I have it installed on one of our RIPs and the Macs can access it with a virtual machine running Windows. Not ideal but it works. It can not run as a server so only one person at a time can access it. Accessing it remotely...