fellmonster
Member
Hi Pauly,
we have a very similar setup (Arizona, Barbieri – lot's of Backlit). We have seen yellow casts most of the time then OBAs (optical brigtheners) cross paths with measuring standards M0/M1/M2. Recently we had to do real "shoot out" to figure out what was measuring best and – more important – what was most appealing. For sure there are standards like Gracol or Fogra which MUST be profiled and measures with a specific setting most POS/LFP applications will require a "looks great" approach.
What I would suggest: make three profiles on the same media one with M0/M1/M2 each (as the Spectro LFP and the SpectroPad can only do M0/M2 (plus M3 - but i doubt this will help) – I would suggest to use the X-Rite's i1Pro2) and compare results using absolute colorimetric rendering.
We were very surprised to see a STRONG yellow cast with M1, a slight (but preferred/wanted) cast with M1 and no cast with M0. As always: you mileage may vary and we definitely had quite a bit of optical brigtheners in our media.
One more thing: you wrote BLUEback – long time ago we were fighting with strange casts on out profiles/prints only do discover that by whatever reason we forgot to measure in reflective. We used transmissive mode and caught the cast from the blue back of the media...
Cheers, Lorenz
Postscriptum: sometime strange things happen . As part of a students examination we have discussed and tested the influence of measuring modes last week. Using some really cheap offset paper on a digital press (xerox versant 80 with an efi controller) we have done M0/M1/M2 with an i1Pro2 while all other parameters stay the same. Guess the two pictures speak for themself...
we have a very similar setup (Arizona, Barbieri – lot's of Backlit). We have seen yellow casts most of the time then OBAs (optical brigtheners) cross paths with measuring standards M0/M1/M2. Recently we had to do real "shoot out" to figure out what was measuring best and – more important – what was most appealing. For sure there are standards like Gracol or Fogra which MUST be profiled and measures with a specific setting most POS/LFP applications will require a "looks great" approach.
What I would suggest: make three profiles on the same media one with M0/M1/M2 each (as the Spectro LFP and the SpectroPad can only do M0/M2 (plus M3 - but i doubt this will help) – I would suggest to use the X-Rite's i1Pro2) and compare results using absolute colorimetric rendering.
We were very surprised to see a STRONG yellow cast with M1, a slight (but preferred/wanted) cast with M1 and no cast with M0. As always: you mileage may vary and we definitely had quite a bit of optical brigtheners in our media.
One more thing: you wrote BLUEback – long time ago we were fighting with strange casts on out profiles/prints only do discover that by whatever reason we forgot to measure in reflective. We used transmissive mode and caught the cast from the blue back of the media...
Cheers, Lorenz
Postscriptum: sometime strange things happen . As part of a students examination we have discussed and tested the influence of measuring modes last week. Using some really cheap offset paper on a digital press (xerox versant 80 with an efi controller) we have done M0/M1/M2 with an i1Pro2 while all other parameters stay the same. Guess the two pictures speak for themself...
Attachments
Last edited: