Re: Quality control checks and balances question
Terry
WHEN YOU RECEIVE FILE
Obviously traditional preflighting
Is it what you quoted - how many colours etc.
Do you have to allow for shingling
Special trapping due to metallics
have you seperated the die cutting forme (you know the thing)
the list goes on and on (Its part of our MIS system)
METHOD OF WORKING
what imposition to use
can you print it as you quoted it - if not - why and who pays for it.
You will have sorted out standrad house imposition templates - all others get the bindery to check - pre press just dont want to take that responsibiliy.
CERTIFIED PROOFS
Proof to client - proofs should be certified with a label to say that it is in stardard - then you dont need them back .
JOB DESCRIPTION
When job is approved - now it gets real - the Job Description should be nailed - no ifs and buts.
THE GATEKEEPER (my term)
At this point I have a solid production man - called the Gatekeeper - all jobs go through this (in fact its two people)
Check for instructions
Make sure paper specification is correct and quantity correct
Sort special inks out
Clear the contents of the job bag (decrapp it) get rid of the rubbish- from now on all we want are proofs or a previous copy to match.
I dont want a previous copy and instructions to run to stnadard densities - I want one instruction.
All jobs have a small A3 Xerox imposed proof produced and they are backed up(two srtapled together)
OKP
He also completes an OKP (OKPress) sheet) - on this we state
what screening is to be used
what standard we are printing the job to.
Any special instructions regarding clients colour
( this is part of our MIS system so it can be carried forward to reprints )
PLATES
Plates are then output and checked against the proofs - and proofs wrapped around each set of plates.
PAPER
Paper is clearly identidied and close to the press ready to be printed.
SCHEDULING
The printer goes to the press scheduling board - sees his next jobs, gets his plates and sorts his paper.
PRINTING
99% of the jobs we run is to ISO so he just gets to standard ink densities and then checks the grey balance patch and prints it.
All our work is coated in line so we dont have to worry about set off or marking when we turn the job over.
The press man signs the pass sheet and writes the denisties and 50% tint values on the pass sheet (just to prove he has looked at it)
All waste should either be marked or removed.
The isuues we have (vary rare but it does happen.)
Job gets imposed for saddlestitching instead of perfect binding
Jobs get work and turned instead of work and tumbled.
We run to the wrong atandard ( CSR didnt tell anyone )
Didnt print enough overs ( usual one)
But I print about 1000 sets of colour a months and in context the problems I get are very small.
I think you have to get the job started correctly and if in doubt get the pressroom and bindery involved- and it all flows - Always though record problems and review them
Peter