Seek thee Lab mode, and have your hopes dashed
Seek thee Lab mode, and have your hopes dashed
OK, those are good crits. I like them. But let's imagine for a moment that we had a screen capture app that did not introduce a shift. Isn't Photoshop the proper non shifting display companion app for this exercise?
So if we had the ideal shift free capture app and a display app with the capability to measure, such as Photoshop, then why would round tripping not be possible???
Photoshop is dependent on your color settings to display values, yes ? Can you work in Black and White properly ? I would believe in the Easter Bunny and the tooth fairy far before I would believe Photoshop for 'numbers' used for calibration !
Are you familiar with Lab mode in Photoshop ?- i think we need to start there to help you understand a few basic problems...
from Iliah Borg...
B/w image in Lab
http://pics.livejournal.com/sail2ithaki/pic/0003rgzp
Just L channel made visible, brightness/contrast are wrong
http://pics.livejournal.com/sail2ithaki/pic/0003shgf
Same, but with Lstar profile set as the grey working space
http://pics.livejournal.com/sail2ithaki/pic/0003xd7w
Same, but with Color Preferences closed, brightness/contrast are right
http://pics.livejournal.com/sail2ithaki/pic/0003y2rg
Dropping to ridiculously low gamma grey, all is wrong
http://pics.livejournal.com/sail2ithaki/pic/0003wpqf
Switching on Show Color Channels in Color
http://pics.livejournal.com/sail2ithaki/pic/00041sfs
L channel with grey profile set to ridiculous and Show Channels in Color switched on, brightness/contrast are right.
http://pics.livejournal.com/sail2ithaki/pic/00043428
Here is a comment (about the above) from a the Color Theory group (by Jacob Rus)
it’s quite unfortunate that (at least as far as I know) there’s
no way to get Photoshop’s gray working space to be similar to L*. [For
me, the “other” item in the selector menu for gray working space in
the color settings is grayed out.] The "Gray gamma 2.2" space is
somewhat lighter but not entirely dissimilar, and "Dot Gain 30%" has
similar average lightness, but has more contrast in the midtones and
correspondingly less in the highs and lows (like an "s-shaped curve").
I set my working spaces up as sRGB, GRACoL, Gray Gamma 2.2, and then
just mostly work in CIELAB space.
It seems pretty silly to me that viewing a single channel at once as
grayscale always shows it as if the content was in the current gray
working space, when in CIELAB mode the obvious "right thing" to do is
show L* as L*. Alas. I guess they want to masks &c. in the same space,
and for such it's not quite as clear to me what the best choice is.
Display as Gray Gamma 2.2 works just fine for me there; any choice of
gray working space would probably be fine for showing
masks/selections/etc.