How about this- you could increase the laser power on plates for that machine ( to increase dot size) or try another plate manufacturer that would increase dot size without changing the laser power.
. . .a little testing-
Dan 412.889.7643
Have you tried adding reducer to print 'fuller' to match the other presses?
Grey Balance is achieved when Magenta/Cyan are the same midtone gain and Yelo is -2 (with ISO inks).
M/C-10 Y-8 = light grey
M/C-24 Y-22 = dark grey
Here's a thought - make a 1/4" patch in your color bar with 3% dots of Y-M-C-K.
NOW you can see any slur of doubling - hard to see on a 40-50% dots. . .
Dan 412.889.7643
Delta differences vary - depending on the color. If you look at the CMC elliptical Chart showing Lab color space you'll notice that 'Reds' have a smaller eclipse than 'Greens'. Therefore we will accept larger variations of Greens than Reds!
Note the size of neutral grey - very small!
A 2% dot...
Try this- create plate curves from these numbers. If you can create the correct density & 'dot area' numbers on press you'll have a great press sheet!
I did this years ago on a 2 color press.
Dan
If you can't afford G7 help -I created a simple method to achieve Grey Balance at press.
I have included the "Wanted" numbers for the pre-press.
Try it and let me know your results!!
Call with any questions-
Dan 412.889.7643
Go to System Brunner - he has examples of picture classification and process variation.
The PC Reference shows a 2-4-6% color shift to Grey. (standard deviation is +/- 2%).
That's why GCR is applied to decrease deviation of near neutral items.
Questions? Dan 412.889.7643
A few of us believe that printing to grey balance at press is important.
Many can’t afford G7 or a consultant for help.
Nearly all the RIP’s have a ‘measured’ file and a “WANTED” file. Has anybody ever supplied the values for this ‘Wanted’ file?
We’ll I have, I measured many sheets and averaged...