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  1. danremaley

    Maybe you could add a reducer to get a little more gain to match the other machines? Just a...

    Maybe you could add a reducer to get a little more gain to match the other machines? Just a thought. . . .
  2. danremaley

    Describing color shift tolerance in layman's terms

    Delta differences vary - depending on the color. If you look at the CMC elliptical Chart showing Lab color space you'll notice that 'Reds' have a smaller eclipse than 'Greens'. Therefore we will accept larger variations of Greens than Reds! Note the size of neutral grey - very small! A 2% dot...
  3. danremaley

    How to differentiate IS0 12647 vs FOGRA

    Try this- create plate curves from these numbers. If you can create the correct density & 'dot area' numbers on press you'll have a great press sheet! I did this years ago on a 2 color press. Dan
  4. danremaley

    Solid Ink Density (SID) and Dot Gain (TVI) relativity and troubleshooting

    See the attached document. Here are the "Wanted" dot area numbers for the RIP. Questions? Call! Dan 412.889.7643
  5. danremaley

    Poor Man's Grey Balance

    If you can't afford G7 help -I created a simple method to achieve Grey Balance at press. I have included the "Wanted" numbers for the pre-press. Try it and let me know your results!! Call with any questions- Dan 412.889.7643
  6. danremaley

    Describing color shift tolerance in layman's terms

    Go to System Brunner - he has examples of picture classification and process variation. The PC Reference shows a 2-4-6% color shift to Grey. (standard deviation is +/- 2%). That's why GCR is applied to decrease deviation of near neutral items. Questions? Dan 412.889.7643
  7. danremaley

    Grey Balance at Press

    Check out this reference piece, showing grey balance.
  8. danremaley

    Brunner Color info

    I have many training articles from Brunner, contact me directly to send items. Here’s a couple-
  9. danremaley

    Grey Balance at Press

    A few of us believe that printing to grey balance at press is important. Many can’t afford G7 or a consultant for help. Nearly all the RIP’s have a ‘measured’ file and a “WANTED” file. Has anybody ever supplied the values for this ‘Wanted’ file? We’ll I have, I measured many sheets and averaged...
  10. danremaley

    TVI basics

    See if this helps. . .
  11. danremaley

    Non-profiled offset printing

    Here is a simple method to get great color reproduction, including uncoated! IF the printer will work with you . . .
  12. danremaley

    Non-profiled offset printing

    Here's an easy method to get the best reproduction. . .
  13. danremaley

    Gcr for pdf

    In Photoshop, some colors do change a little (depends on the color) - less change from dedicated software. In either case, there will be less variation in color during the press run than a traditional or UCR scan.
  14. danremaley

    Dot gain test sheet layout

    Print a GATF test form with ladder bars. The bars will show any distortion front to back / side to side. The spec. Is .06 density front to back. Call with any questions 412.889.7643
  15. danremaley

    Gcr for pdf

    Here is a great example of GCR - open these images in Photoshop and look at each color side by side. . .
  16. danremaley

    Colour standards and correction for offset

    Email me and I’ll send you a copy of the best book I know for color reproduction. ‘Color Control in Lithography’ [email protected]
  17. danremaley

    Gcr for pdf

    Here’s my nickels worth- GCR affects all tri-chromatic colors (Y-M-C). The ‘graying’ component of a color is reduced and replaced with black. I.e. “reds” graying component is Cyan. Blues graying component is Mag. GCR - “pushes” the tone scale to be more saturated or less saturated in the...
  18. danremaley

    Ladder Bars User Guide

    Attached is the User Guide for Ladder Bars that will truly show press problems. Call with any questions 412.889.7643 or [email protected]
  19. danremaley

    Gray Balance consistency run

    Printing 50/49/40 is impossible! These values are at or near the midtone area - where the midtone dot gain changes under the best conditions (+/- 2%} is the standard deviation of a good press! So as long as these gains climb together- you get a ‘darker’ grey - when one goes up or down relative...

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