Glenn McDowall
Well-known member
I might be putting 2 and 2 together and getting 5 but, is Dov inferring that if you place an LZW TIFF into Indd and Export PDF you get ZIP or JPEG compression.
Dov also said for storage of Masters; "For that purpose, personally, I typically use ZIP-compressed TIFF with ICC color-managed 16 bits colorant per pixel storage coming out of Camera Raw!"
+1 for me
I'm sort of split between dng and 16bit tif for my personal masters. As I see it the dng is only as good as RAW+XMP in that the XMP can reference settings that only lightroom and Camera Raw can understand such as Dehaze. I'm curious if you think you could recover highlights from a 16bit TIF as well as you can from the 10-12bit RAW?
Joe, you should take a look at the De Jpeg Neural filter in Photoshop, and ABC you should script its use there and back again into Pitstop, along with extending bleed by adding to the canvas using content aware fill !
Dov also said for storage of Masters; "For that purpose, personally, I typically use ZIP-compressed TIFF with ICC color-managed 16 bits colorant per pixel storage coming out of Camera Raw!"
+1 for me
I'm sort of split between dng and 16bit tif for my personal masters. As I see it the dng is only as good as RAW+XMP in that the XMP can reference settings that only lightroom and Camera Raw can understand such as Dehaze. I'm curious if you think you could recover highlights from a 16bit TIF as well as you can from the 10-12bit RAW?
Joe, you should take a look at the De Jpeg Neural filter in Photoshop, and ABC you should script its use there and back again into Pitstop, along with extending bleed by adding to the canvas using content aware fill !