Ynot_UK
Well-known member
To date, our typical work has mostly been using regular coated white stocks and uncoated stocks, white and tints and occasionally synthetics.
We have a new customer for cards & notelets who only wants recycled substrates and likes 'Arts & Crafts'/Rustic papers like Ivory Flecked, etc.
I have today received the Fedrigoni Digital swatch book - all the substrates contained are certified for Indigo and papers such as Woodstock Betulla/Bianco look to fit the requirement perfectly. Providing they will produced great results on our KM C4080.
I'm after any tips/pitfalls/etc. from members with experience of speciality stocks on digital - whilst understanding no results are certain until tested, as a rule of thumb, it is good to say that if it's certified for Indigo, it's got a good chance of working on any modern dry toner production press?
Also any tips from other KM shops as to paper catalogue settings, etc. would be useful.
We have a new customer for cards & notelets who only wants recycled substrates and likes 'Arts & Crafts'/Rustic papers like Ivory Flecked, etc.
I have today received the Fedrigoni Digital swatch book - all the substrates contained are certified for Indigo and papers such as Woodstock Betulla/Bianco look to fit the requirement perfectly. Providing they will produced great results on our KM C4080.
I'm after any tips/pitfalls/etc. from members with experience of speciality stocks on digital - whilst understanding no results are certain until tested, as a rule of thumb, it is good to say that if it's certified for Indigo, it's got a good chance of working on any modern dry toner production press?
Also any tips from other KM shops as to paper catalogue settings, etc. would be useful.