It's a transparency issue with the drop shadow, convert the color under the shadow to a CMYK value and see if it goes away.
The effect only happens if you have a spot colour under the transparency. Convert the colour to a CMYK and the whole reason for spot colours goes out the window doesn't it? Unless you have colour protection on your rip.
Anyone having trouble with blocks showing around drop shadows when printing a file on the Igen 4 ? Only way we have found to correct the problem is to rip it through Rampage. Too time consuming to use this as an option everytime.![]()
If you have spot color matching capabilities with your rip then you do not want to convert your spot colors to CMYK. You will get a better match as spot. With this function, the RIP does not just simply convert to the bridge build, it uses a L*a*b* reading to get as close as possible to the solid chip.
The dropshadow problem is a result of flattening. Contact a rep from the RIP manufacturer and tell them that your dropshadows are flattening and you are not sure how to correct it. They will be able to tell you the right combination of settings to get it to go through.
With the Fiery, I have had them flatten when printing from the Command Workstation and the only way to cure it for this particular file was to print it directly from Acrobat using a PPD for the machine.
FYI - you may want to invest in a Pantone Bridge so you can see ahead of time what happens to a Pantone Spot color when it is converted to CMYK. Many of the PMS colors are out of the CMYK gamut. Even with "color protection" on the rip it will convert the PMS color to the appropriate Pantone approved CMYK value, it does not magically print in a PMS ink.
Just wanted to clarify that point, the print engine will only print in CMYK. So in that sense ALL Pantone/Spot colors are useless with the exception of the color information communicated with the rip.
On the creo (on KM machines) you can print a complete swatch table that is within gamut. Unlike the fierys the swatch is a decent size. Then the designer can offer the customer the chart to chose a colour that is to there likeing. Then they design with that swatch. Telling them to turn off spot colours just seems to get an abrasive reaction.
If you have a creo on a c6500 the swatch files are on the D drive under 'color files'.
You can't print all Pantone colors in gamut with 4 color process and get them to match, it's imposable. It makes no difference if you have Creo, EFI or Bob's Front End, it will not happen ever, ever, ever. You can indeed match the CMYK values of the Pantone Bridge, but not the Pantone colors. Try to match (to the Pantone guide NOT what the copier prints) PMS 137 or anything in the 800 range if you think I'm wrong.
By the way, you can generate a Pantone color guide automatically from within CorelDraw to print on any engine at any size.
What colours are produced isn't really the argument here. I could get a swatch book from 5 different printers and their version of any particular spot would probably differ. There is a pantone system for a reason and your suggestion just says forget pantone. If you print using CMYK then what colours are produced are effected by the colour flow of the rip where as spots bypass this and are only effected by the output profile and calibration.
If there was no difference between the CMYK version and the spot version of a colour then this thread would not exist as this effect would not be manifested.
If my customer said a CMYK file prints different on two different machines I could argue the point a million things could cause it. If the customer said a spot colour is completely different on two machines then I’m duty bound to investigate the problem.
This guide is from adobe an covers transparency Adobe - Design Center : A designer's guide to transparency for print output using Adobe Creative Suite 2 software It's for CS2 but seems relevant.
Again you have no clue what you are talking about, just do your job and keep them running. Let printers print.
InSoft Automation Unveils Imp Version 14
Revolutionizing Layout Planning and Automation InSoft Automation announces the launch of Imp Version 14, the latest iteration of its industry-leading cost-based layout planning software. Packed with cutting-edge features, this release redefines efficiency, automation, and workflow optimization for printing and finishing processes. Learn more……. |