gordo
Well-known member
This is mainly for Mike. As a consultant and color expert, I hope he sees it and rethinks his "opinion" on G7 for wide format. It's growing very quickly across all of print and the wide-format world. http://www.bluemedia.com/about/g7/. And by the way, no one in my class of 40 people was a color novice. Just like me, they all had various degrees of intermediate-to-expert color management in their backgrounds. Again--as in the beginning--just trying to be helpful to my peers.
I appreciate your trying to be helpful.
On a separate but related point, it appears that bluemedia, in the link you provided, has made the same leap of misunderstanding that many printers do when discussing G7. They write:
"All of our proofs and printing follow the strict G7 International Standards for consistent color and quality. Not only are our proofing machines calibrated to all of our presses and other devices, but what we proof or print here will be an exact color match to proofs or printing done anywhere in the world by other G7 Certified printers. The G7 standard is fast becoming very important to customers that are printing projects in different parts of the world to maintain uniform color."
The misunderstanding is in the claim that grey balance via G7 methodology results in uniform color across different devices, across different locations, and between proof and press.