We have been using Cip3 or ink preset for over 15 years. You should be able to get within 95%.We have ours calibrated to gloss text. When changing between different types of stock it usually just requires a change of the ink ball stroke.
When calibrating start out with every setting at 100% no compensation. There are multiple places to compensate, in the press, in the ppf generator in the cip3 file generator, in the profile settings, in the curve settings. When you do decide on where to do the compensations only do it in one place and let all other settings at 100% no compensation or you will chasing your tail. Only do your calibration to 1 type of stock or you will be chasing your tail. Make sure your water settings are correct or you will be chasing your tail. If you change fountain solutions manufacturers or clean out your circulators and start with a new batch in the middle of calibrating you will be chasing your tail. If you change to new blankets or types of blanket in the calibration procedure you will be chasing your tail. The point is if you change any of the variables you will have altered any chance of getting it calibrated. Once you decide on an ink, fountain solution,blanket ,plate combination you are know ready to start.
This is all based on the assumption that your ink wells are calibrated to a standard ink film thickness.
We have found that the only time you have to alter the ink profiles is when you change ink manufacturers or they give you a batch of ink that does not match the standard that you calibrated to.
You will find that the biggest hurdle is getting consistent ink batch to batch. Without consistent ink that transfers the same every time you are just wasting your time trying to calibrate CIP3. You will have better luck playing the piano man on your ink keys.
With ink the same from batch to batch you will be able to use your cip3 calibration for years or until you readjust the ink well film settings.