wcisme
Member
Re: Presstek 52DI
Hello,
This is my first post, and first time looking around this site.
I would have to agree with most of what has been said about the 52DI. We installed one in June of this year and although much of the work looks great, we have had quite a long list of issues. I am hoping for some help with one major issue we have had since the install, so here goes.
We are in Kansas City MO, and i demo'ed the machine in a shop in St. Louis. I spent the whole day with the owner, the operator, and the prepress manager. They are very happy with the machine and the work is has produced. So much so, they just added another one. They are using the Nexus workflow.
We purchased the Harlequin Momentum RIP with the 52 for a couple of reasons. The main one being that we had no litho machines till this. We have a pair of Digimasters and a Nexpress. So the way we saw it, we wanted something simple and inexpensive to make the 1 bit tiffs for the press.
The main problem we are seeing is a somewhat complicated issue i believe, and we are still not sure if it is RIP related, or mechanical on press. Morie's and strange patterning in screens. We have tried all the usual traditional things to rectify this to no avail. We have figured out some work around's to keep the jobs moving through, but these are not long term solution's.
We have been running 300lpi on coated stocks and 175 on uncoated, 2540 dpi, euclitian dot shape. We have been using 2 different screen angle sets. One set is the traditional angles (15, 75, 0, and 45) default on the rip, and one is a set that Presstek gave us to try. (Not sure the exact angles off the top of my head. I'm at home).
The reason we were given the second set of angles to try is that the black unit will not run a 45 degree angle without a corduroy pattern in all values of screens. ?? We still have not been given a reason why after many a screaming match. The traditional angles, even though the black has the pattern in it *will* run on certain jobs. I still see some grainyness in the 3 quarter tones, and over all quality is average, but they dont morie.
The second set of angles look really good, considerably better than the traditional angles in fact, when the morie doesn't pop up. When it does show itself its bad,...very bad. When it does show, we use the traditional angles. This has been a every couple of days problem for us. The field engineers are lost, so am I.
Supposedly engineers are working on this in NH. I believe there is a problem with the press on the tower that burns the black and magenta plate, I have spoke to other installs and they are able to run without seeing the pattern in the black.
Thanks for reading, if you need more detailed information let me know, and if you have any ideas it would be much appreciated.
Thanks in advance,
William Mitchell
Kansas City Digital Press
Hello,
This is my first post, and first time looking around this site.
I would have to agree with most of what has been said about the 52DI. We installed one in June of this year and although much of the work looks great, we have had quite a long list of issues. I am hoping for some help with one major issue we have had since the install, so here goes.
We are in Kansas City MO, and i demo'ed the machine in a shop in St. Louis. I spent the whole day with the owner, the operator, and the prepress manager. They are very happy with the machine and the work is has produced. So much so, they just added another one. They are using the Nexus workflow.
We purchased the Harlequin Momentum RIP with the 52 for a couple of reasons. The main one being that we had no litho machines till this. We have a pair of Digimasters and a Nexpress. So the way we saw it, we wanted something simple and inexpensive to make the 1 bit tiffs for the press.
The main problem we are seeing is a somewhat complicated issue i believe, and we are still not sure if it is RIP related, or mechanical on press. Morie's and strange patterning in screens. We have tried all the usual traditional things to rectify this to no avail. We have figured out some work around's to keep the jobs moving through, but these are not long term solution's.
We have been running 300lpi on coated stocks and 175 on uncoated, 2540 dpi, euclitian dot shape. We have been using 2 different screen angle sets. One set is the traditional angles (15, 75, 0, and 45) default on the rip, and one is a set that Presstek gave us to try. (Not sure the exact angles off the top of my head. I'm at home).
The reason we were given the second set of angles to try is that the black unit will not run a 45 degree angle without a corduroy pattern in all values of screens. ?? We still have not been given a reason why after many a screaming match. The traditional angles, even though the black has the pattern in it *will* run on certain jobs. I still see some grainyness in the 3 quarter tones, and over all quality is average, but they dont morie.
The second set of angles look really good, considerably better than the traditional angles in fact, when the morie doesn't pop up. When it does show itself its bad,...very bad. When it does show, we use the traditional angles. This has been a every couple of days problem for us. The field engineers are lost, so am I.
Supposedly engineers are working on this in NH. I believe there is a problem with the press on the tower that burns the black and magenta plate, I have spoke to other installs and they are able to run without seeing the pattern in the black.
Thanks for reading, if you need more detailed information let me know, and if you have any ideas it would be much appreciated.
Thanks in advance,
William Mitchell
Kansas City Digital Press