I am relatively young in the industry (mid-30s) yet all around I read the phrase “Print is dead” and if you grew up in this industry like me, it hurts. But I will not deny it, I hear about it every day at my job: Offset printers are closing at an alarming rate in most markets. Print-shop after print-shop they are shutting down, laying off people, destroying dreams and inundating the market with used machinery that sometimes seem more like museum pieces nobody really needs or wants nowadays.
The perpetrator of this crime goes under different aliases: The PC, the internet, the smart-phone or the tablet. All labels and avatars for the digital age we live in, a world that is insidious and inescapable, yet also incredibly convenient and alluring. Make no mistake: The digital age is here to stay and will only grow larger in the coming years.
But let's s think for a moment: Is printing really being completely replaced by shiny screens displaying colorful apps? Not entirely, what I see around me is that while a large part of former offset printing territory is now entirely digital, another part of the niche is being filled by the new “physical” printing generation, such as the Indigos, iGens and other digital commercial presses available today.
These machines are fairly different from one another in many ways and there still is no “digital printing standard”, but they all have something in common: Convenience. Year after year, generation after generation they are getting easier to use, even by non-trained workers.
I moved to Germany 18 months ago after working in Latin America for many years. While I had been coming to this country for trainings and seminars and I knew it relatively well (it is after all the land of my ancestors), working close to the German printers and having former offset machine operators as work colleagues opened my eyes. Just like the famous eureka moment, it struck me: German engineering is killing offset printing. Well, at least part of it, please allow me to explain why I think so in the next few paragraphs.
I believe the offset printing press has been and will remain a quintessential German piece of engineering (calm down Komori fans, Japanese offset presses are just as good but they have undeniably followed the blueprint of German presses) Unlike most of the world, the offset press operators in Germany are highly trained workers that have studied and practiced at dedicated schools for two or more years before joining the workforce. As part of the German “dual” education that combines study with work (US-President Obama praised this system during a recent speech), they graduate with the equivalent of an Associate Degree in offset printing. No only do they know about water balance and plate registry, they also are experts in color spectrum, graphic design and basic engineering. In other countries this level of preparation is reserved for a small “printing elite” that has either collected this practical knowledge over years or attended one of the few colleges offering a printing related degree. Even so, how many Rochester graduates can claim to have operated a press while studying for their next Chemistry exam? Therefore, the machine press manufacturers in this country have designed the machines thinking and assuming that the operator in other places will have a similar level of education.
I know: This high level of complexity in offset printing is not new. Offset printing machines were never easy horses to ride yet they became popular worldwide. However, before the new generation of digital printers came along the rest of the world learned how to use it because it had no other choice. The would-be printers were willing to endure long hours learning its secrets, doing mistakes, repeating jobs... All that has changed. Time, which was always limited for the printer, has become an even more scarce item. Most young people need a month or more to learn how to decently handle an offset press, but if you give them a touchscreen with an intuitive set of icons they can master that Xerox in a week. Here the clear winner is the modern digital press. I think most print-shop owners and managers that have made this comparison will agree.
To be fair, this has already being noticed by the press manufacturers and they have scrambled in the last decade to include touch screens and friendly icons in their presses. However, they made what in my eyes was another mistake: While the controls look and feel modern, the press is over-engineered (Or should I say “über-engineered”?). I know some of you will hate me for saying this, but do we really need 40 tons of steel, bearings that could be fitted on a fighter jet and engines strong enough to move the Titanic? In today's ever changing world we do not need machines made to last 20 years when in 5 years they will be rendered obsolete by whatever is out there. It feels as if a 19th century piece of machinery has been equipped with 21st century electronics. The result? A machine that costs as much as 10 to 20 of its digital counterparts. Good for the big corporations printing cereal boxes in the millions, but unattainable for most mid size and small printers.
Your thoughts?
The perpetrator of this crime goes under different aliases: The PC, the internet, the smart-phone or the tablet. All labels and avatars for the digital age we live in, a world that is insidious and inescapable, yet also incredibly convenient and alluring. Make no mistake: The digital age is here to stay and will only grow larger in the coming years.
But let's s think for a moment: Is printing really being completely replaced by shiny screens displaying colorful apps? Not entirely, what I see around me is that while a large part of former offset printing territory is now entirely digital, another part of the niche is being filled by the new “physical” printing generation, such as the Indigos, iGens and other digital commercial presses available today.
These machines are fairly different from one another in many ways and there still is no “digital printing standard”, but they all have something in common: Convenience. Year after year, generation after generation they are getting easier to use, even by non-trained workers.
I moved to Germany 18 months ago after working in Latin America for many years. While I had been coming to this country for trainings and seminars and I knew it relatively well (it is after all the land of my ancestors), working close to the German printers and having former offset machine operators as work colleagues opened my eyes. Just like the famous eureka moment, it struck me: German engineering is killing offset printing. Well, at least part of it, please allow me to explain why I think so in the next few paragraphs.
I believe the offset printing press has been and will remain a quintessential German piece of engineering (calm down Komori fans, Japanese offset presses are just as good but they have undeniably followed the blueprint of German presses) Unlike most of the world, the offset press operators in Germany are highly trained workers that have studied and practiced at dedicated schools for two or more years before joining the workforce. As part of the German “dual” education that combines study with work (US-President Obama praised this system during a recent speech), they graduate with the equivalent of an Associate Degree in offset printing. No only do they know about water balance and plate registry, they also are experts in color spectrum, graphic design and basic engineering. In other countries this level of preparation is reserved for a small “printing elite” that has either collected this practical knowledge over years or attended one of the few colleges offering a printing related degree. Even so, how many Rochester graduates can claim to have operated a press while studying for their next Chemistry exam? Therefore, the machine press manufacturers in this country have designed the machines thinking and assuming that the operator in other places will have a similar level of education.
I know: This high level of complexity in offset printing is not new. Offset printing machines were never easy horses to ride yet they became popular worldwide. However, before the new generation of digital printers came along the rest of the world learned how to use it because it had no other choice. The would-be printers were willing to endure long hours learning its secrets, doing mistakes, repeating jobs... All that has changed. Time, which was always limited for the printer, has become an even more scarce item. Most young people need a month or more to learn how to decently handle an offset press, but if you give them a touchscreen with an intuitive set of icons they can master that Xerox in a week. Here the clear winner is the modern digital press. I think most print-shop owners and managers that have made this comparison will agree.
To be fair, this has already being noticed by the press manufacturers and they have scrambled in the last decade to include touch screens and friendly icons in their presses. However, they made what in my eyes was another mistake: While the controls look and feel modern, the press is over-engineered (Or should I say “über-engineered”?). I know some of you will hate me for saying this, but do we really need 40 tons of steel, bearings that could be fitted on a fighter jet and engines strong enough to move the Titanic? In today's ever changing world we do not need machines made to last 20 years when in 5 years they will be rendered obsolete by whatever is out there. It feels as if a 19th century piece of machinery has been equipped with 21st century electronics. The result? A machine that costs as much as 10 to 20 of its digital counterparts. Good for the big corporations printing cereal boxes in the millions, but unattainable for most mid size and small printers.
Your thoughts?