Recent content by realaqu

because toner color space is much smaller than inkjet, even less than offset printing, so high end photo printing always go to inkjet especially epson

if the tech said is true, put a fan behind the machine to help cool down the fuser to see if any improvements

to me, looks like a roller pressure issue, I assume envelope enter machine from right side, then the tail side got twisted, maybe a worn bearing?

just export as 300ppi tiff image, no need to print as pdf vector file

here is an example, you can also search crt to lcd converter to hook with an external monitor, usually less than 50$

just downgrade it back to xp, no real benefits upgrading to lastest windows for a dedicated rip station

I remebered there is an article on techkonusa website by Ron Ellis about this topic, for non standard white, you might wanna try chromix curve+, just modify white point to make a new profile https://techkonusa.com/g7-guide-for-flexo/

then you have to make your own press profile first becuase official one based on kcmy except news paper printing, ink tack coverage etc should be adjusted accordingly too

Hope this will help https://cdn-s3.sappi.com/s3fs-public/sappietc/Progressive%20Dot%20Sharpening%20and%20Image%20Loss_v1.pdf

Gwg guide https://gwg.org/

presssign https://bodoni.co.uk

used techkon spectrodens

http://www.chromix.com/curve+/#overview

that book is pretty much written for a photographer or a designer. doesn’t like the one I recommended, which is for guys in prepress field, about G7, it is just what we use in US, new standard for euro should be fogra51, calibration should be the same just different final target, you can...

this is usually done in a color server thro devicelink, convert input profile to your own press profile, but most of time standard g7 should be good enough coz press profiling is really not easy. A book named "digital color management" by jan-peter homann, will give you general ideas how color...