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For offset printing, is there an industry standard Delta E to determine if the amount of color shift is acceptable? Some scenarios (from children's book publisher perspective) Scenario 1 - Frontlist title 1st printing of a 4C title Received & approved Fuji JetPress proofs on bulk stock In...

For anyone working on a press, or in Prepress, what, if anything, do you do to compensate for the color shift when applying matte lam? I work for a publisher and for years I have always added a Curve to jacket/cover art that would take down the M by a touch (approx 2% from the midtones) and Y...

Looking for advice on how to explain to designers that we (the customer) have to accept some variance in color which is within industry standard tolerance. What is the best way to do that. If I was to show them this, it would do no good: Coated Stock C 1.45(+/-0.08) M 1.40(+/-0.08) Y...

My company has recently started receiving more and more Epson proofs, in place of wet-proofs. For 4-color interiors we are seeing double-sided Epson proofs (forms). I never realized Epson proofs could be double-sided. Are any Epson printers capable of this straight out of the box, or is...

Hi, We're in the process of pitching the idea of ditching wet-proofs (especially for digitally created artwork) and getting digital proofs, instead. I've poked around on this site and online, in general, but I am unable to find a concise breakdown on the different types of digital proofs...

Hi. One of our main printers in Asia sent me this stating these are the ISO Standard Ink Densities that they follow. ISO standard C 1.45(+/-0.08) M 1.40(+/-0.08) Y 1.05(+/-0.08) K 1.80(+/-0.08) I tried to find anything online to confirm that these are accurate, but am unsuccessful. Do...

Hi, All. It's been years since I've posted here. My company has been running into more and more color issues between our Repro Houses (based in China) and our printers (also based in China). Background (simplified): Children's book publisher Repro provides wet proofs (typically 2 rounds)...

Hi. I work for a publisher and we use printers here in the States, as well are throughout Europe and the Far East. I often provide layered PDFs, especially for jackets/covers which have Spot UV, Foil, or Embossing/Debossing. For me, it's so much easier to send everything as a single PDF, and...

Hi. We are toying with the idea of bringing proofing in-house. This would be for all of our fiction jackets and potentially for our picture book jackets/covers/interiors. In the US we are used to receiving either Fuji Final Proofs or Kodak Match Proofs, although all of our US print vendors...

Here's my situation: When printing a paperback edition of a hardcover original, the paperback stock is more yellow than the hardcover jacket stock. Rather than individually color-correct each link, I would rather apply a curve to the paperback cover PDF to compensate for the stock. I can easily...

Looking for someone that can handle Quark to InDesign conversions of backlist fiction and picture book titles. I see lots of companies that advertise this service but all they are doing is a basic Q2ID conversion, saving the file, and sending it back to you. I need someone that will re-establish...

I am still correct in thinking that printers will convert 16-bit images to 8-bit before going to press? This would be for CMYK offset printing.

I am working to get all of our designers following more of a color-managed workflow and want to start by calibrating their monitors and repeating on a every 4 week basis. The design team are all on iMacs and I am using XRite's i1Profiler to do the calibrating. What I am having a hard time with...

Is it (Grah-coal) or (Gray-coal)?

For many years, our main component printer has provided us with Fuji Final Proofs. Fuji is no longer supporting that hardware and they are also having problems using that proofer with newer workflows. We've tried the Epson route before and have not been satisfied, so they are presenting ORIS...

Our current Pantone books are close to 5 years old. I realize this is pretty old and we plan on replacing soon, however, we just received a draw down from a print vendor for Pantone 522. The drawdown looked nothing like the swatch in the Pantone book, it was far more green than blue. We thought...

I'd like to create an action, using Action Wizard, that would allow me to downsample all imagery to 72dpi and apply a medium quality JPG compression. I am using both Acrobat DC and Acrobat 11, and neither seem to let you specify the compression settings within Action Wizard. Thanks in advance...

Not getting very far on the Adobe forum, so I figured I would post here as well. https://forums.adobe.com/inbox It seems to be specific to CC 2015 and Windows servers using Xtremez-IP.

Please see the attached JPG. The image on the left is a Composite PDF which contains CMYK+TextPlate. With Pitstop (or Acrobat DC) is it possible to create 2 PDFs from this single PDF; one being the CMYK and the other being the TextPlate (as shown in the JPG). If it's not possible in Pitstop, is...

Recently upgraded to ID 2015.4 and discovered that Spot Colors no longer preview the way the used to. For example, we have a book jacket that has a foil stamp. We create a spot color "Foil Stamp" and assign it a color in ID. Typically, while the designer is still working on the file the spot...