Hello kdw,
Why are you making "Hard Work" for your self - - Just use a CtP plate exposure control strip such as - Fogra/Ugra !!!
Regards, Alois
I am trying to determine the correct amount of exposure. I am worried I might be under exposing the plates.
Why are you doing it by yourself? Your local kodak dealers do not have servicemen?
Is your "plate densitometer" capable for reading from processles plate?
No. You have to process them first. While it will read the density of the image, it wouldn't be able to read the plate background accurately unless you process it first.
Well, that sounds like what I did. I printed tiny test patterns and they said to use a 20 power microscope to look for plugging of the patterns. The density meter tells me how intense the image is. If I up the exposure, it gives me a higher density reading. Just like on film and color bars.
The problem is that the density reading is irrelevant. It's a thermal process. It's not like film at all. Using fountain solution on the Azura plate will work to remove the non-image area. But that's not how the Sonora works.
Are you saying that it is binary? The image is either there or isn't?
How is the Sonora XP different? We have been using both and don't notice a difference.
Yes, thermal imaging is effectively binary. The coating is "cooked" by the laser during exposure. This is not the same process as exposing litho film and plate. When a plate is setup (calibrated) by the vendor engineer their job is primarily to have the ctp deliver a robust image on plate with no artifacts (like banding/stitching issues). The tone response on plate is not so important (as long as it's consistent). The tone response on the press sheet will be evaluated and if needed a tone compensation curve will be created to be applied in the RIP.
Basically, with the Sonora plate the fountain solution makes the unexposed coating sticky which allows the blanket to pull the unexposed coating off the plate and transfer it to the paper for removal. The first few (around 10) sheets going through the press clean the plate. With the Azura TE the exposure fuses the image area to the plate and the processor solution essentially washes the unexposed coating off.
Two different approaches to the problem. In marketing terms the Sonora plate is a true processless plate while the Azura would not be considered so since it has a processing step after plate exposure.
Methinks you are asking the wrong question because you still have the film process in your mind. On the carton you will find a recommended energy in millijoule from the manufacturer, set this in your CTP and you should get the optimum exposure. Your dealer should also be able to supply you with this information.
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