Gregg
Well-known member
For anyone working on a press, or in Prepress, what, if anything, do you do to compensate for the color shift when applying matte lam?
I work for a publisher and for years I have always added a Curve to jacket/cover art that would take down the M by a touch (approx 2% from the midtones) and Y by a slightly heavier touch (approx 5% from the midtones). This has worked well, but I think the fact that were printing the majority of our work at the same printer helped. Now we are using a stable of printers and it seems like the color shift from the matte lam is more of a moving target.
Do you:
I work for a publisher and for years I have always added a Curve to jacket/cover art that would take down the M by a touch (approx 2% from the midtones) and Y by a slightly heavier touch (approx 5% from the midtones). This has worked well, but I think the fact that were printing the majority of our work at the same printer helped. Now we are using a stable of printers and it seems like the color shift from the matte lam is more of a moving target.
Do you:
- provide your customer with a curve to compensate for the matte lam shift
- advise your customer on how to adjust their color
- adjust on press to match an approved unlaminated proof
- say to your customer "you get what you get so don't get upset"